Portrait of a Venetian
Albrecht Durer
Albrecht Dürer was a painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe when he was still in his twenties due to his high-quality woodcut prints.
Max Resolution:2024×2746 PX
Title:Portrait of a Venetian
Original Title:Porträt einer Venezianerin
Artists:Albrecht Durer
Date:1505
Style:Northern Renaissance
Genre:portrait
Medium:oil,panel
Location:Kunsthistorisches Museum, Vienna, Austria
Copyright:Public domain
Portrait of a Young Venetian Woman is a small bust-length oil on elm panel painting by the German artist Albrecht Dürer from 1505. It was executed, along with a number of other high-society portraits, during his second visit to Italy.
The woman wears a patterned gown with tied-on sleeves that show the chemise beneath. Her hair frames her face in soft waves, and back hair is confined in a small draped cap. The work's harmony and grace is achieved through its mixtures of tones, from her pale, elegant skin and reddish blond hair to her black-and pearl necklace and highly-fashionable patterned dress; all of which are highlighted against a flat black background. It is similar in pose and colour tone to his c 1507 A German Woman from Venice, while at least two studies of Venetian women are known, both of which are very daring. One shows the model with a plunging neckline, the other with bare shoulders.
During his visit to Italy Dürer became fascinated by and befriended Giovanni Bellini, an established master when Dürer was still a relative unknown outside of Germany. The Franconian artist's influence can be seen in this work's soft modeling, dramatic lighting and vivid colours and tones.
The work was not identified as a Dürer original until it was found in a private Lithuanian collection in 1923. The identity of the sitter is lost; however, in dress and hairstyle, she appears to be Venetian, rather than Germanic. The portrait is unfinished; a number of elements, noticeably the black bow above her chest, are not as well described as other passages.
The woman wears a patterned gown with tied-on sleeves that show the chemise beneath. Her hair frames her face in soft waves, and back hair is confined in a small draped cap. The work's harmony and grace is achieved through its mixtures of tones, from her pale, elegant skin and reddish blond hair to her black-and pearl necklace and highly-fashionable patterned dress; all of which are highlighted against a flat black background. It is similar in pose and colour tone to his c 1507 A German Woman from Venice, while at least two studies of Venetian women are known, both of which are very daring. One shows the model with a plunging neckline, the other with bare shoulders.
During his visit to Italy Dürer became fascinated by and befriended Giovanni Bellini, an established master when Dürer was still a relative unknown outside of Germany. The Franconian artist's influence can be seen in this work's soft modeling, dramatic lighting and vivid colours and tones.
The work was not identified as a Dürer original until it was found in a private Lithuanian collection in 1923. The identity of the sitter is lost; however, in dress and hairstyle, she appears to be Venetian, rather than Germanic. The portrait is unfinished; a number of elements, noticeably the black bow above her chest, are not as well described as other passages.