Blessed Joseph Hermann
Anthony van Dyck
Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England, after enjoying great success in Italy and the Southern Netherlands.
Max Resolution:5061×6186 PX
Title:Blessed Joseph Hermann
Artists:Anthony van Dyck
Date:1629 - 1630
Style:Baroque
Genre:religious painting
Medium:oil,canvas
Location:Kunsthistorisches Museum, Vienna, Austria
Dimensions:160×128 cm
Copyright:Public domain
The Vision of the Blessed Hermann Joseph or The Mystical Engagement of the Blessed Hermann Joseph to the Virgin Mary is a 1629-30 painting by the Flemish Baroque painter Anthony van Dyck.
The painting depicts Hermann Joseph, a Premonstratensian canon and priest from the Cologne region. He had a devotion to the Virgin Mary and according to legend had several visions of her during his lifetime - the painting shows one of these, in which he was joined in a mystic marriage to her and received the name 'Joseph' after her spouse Saint Joseph It is now in the Kunsthistorisches Museum in Vienna.
The painting was one of several commissioned from van Dyck by the Jesuit sodality in Antwerp, of which he had become a member in 1628. It seems to have been influenced by The Vision of Saint Francis Xavier by the Antwerp painter Gerard Seghers and by Rubens's Saint Teresa of Ávila's Vision of the Holy Spirit - van Dyck had been working as Rubens' studio assistant and pupil since returning to Antwerp in 1627 after eight years in Italy, including work on a series of paintings for Saint Carolus Borromeus church.
The painting depicts Hermann Joseph, a Premonstratensian canon and priest from the Cologne region. He had a devotion to the Virgin Mary and according to legend had several visions of her during his lifetime - the painting shows one of these, in which he was joined in a mystic marriage to her and received the name 'Joseph' after her spouse Saint Joseph It is now in the Kunsthistorisches Museum in Vienna.
The painting was one of several commissioned from van Dyck by the Jesuit sodality in Antwerp, of which he had become a member in 1628. It seems to have been influenced by The Vision of Saint Francis Xavier by the Antwerp painter Gerard Seghers and by Rubens's Saint Teresa of Ávila's Vision of the Holy Spirit - van Dyck had been working as Rubens' studio assistant and pupil since returning to Antwerp in 1627 after eight years in Italy, including work on a series of paintings for Saint Carolus Borromeus church.