Salome with the Head of John the Baptist
Caravaggio
Michelangelo Merisi was an Italian painter active in Rome, Naples, Malta, and Sicily from the early 1590s to 1610. His paintings combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, and they had a formative influence on Baroque painting.
Max Resolution:1200×995 PX
Title:Salome with the Head of John the Baptist
Artists:Caravaggio
Date:1609
Style:Baroque,Tenebrism
Genre:religious painting
Medium:oil,canvas
Location:Palacio Real de Madrid, Madrid, Spain
Dimensions:116×140 cm
Copyright:Public domain
Salome with the Head of John the Baptist (Madrid), c. 1609, is a painting by the Italian master Caravaggio in the Palacio Real, Madrid.
The early Caravaggio biographer Giovanni Bellori, writing in 1672, records the artist sending a Salome with the Head of John the Baptist from Naples to the Grand Master of the Knights of Malta, Fra Alof de Wignacourt, in the hope of regaining favour after having been expelled from the Order in 1608. It seems likely that this is the work, according to Caravaggio scholar John Gash. Gash also notes that the executioner, looking down at the severed head, helps transform the painting "from a provocative spectacle into a profound meditation on death and human malevolence."
The early Caravaggio biographer Giovanni Bellori, writing in 1672, records the artist sending a Salome with the Head of John the Baptist from Naples to the Grand Master of the Knights of Malta, Fra Alof de Wignacourt, in the hope of regaining favour after having been expelled from the Order in 1608. It seems likely that this is the work, according to Caravaggio scholar John Gash. Gash also notes that the executioner, looking down at the severed head, helps transform the painting "from a provocative spectacle into a profound meditation on death and human malevolence."