Still Life with Cheeses, Almonds and Pretzels
Clara Peeters
Clara Peeters was a still-life painter who came from Antwerp and trained in the tradition of Flemish Baroque painting, but probably made her career mostly in the new Dutch Republic, as part of Dutch Golden Age painting.
Max Resolution:2500×1757 PX
Title:Still Life with Cheeses, Almonds and Pretzels
Artists:Clara Peeters
Date:1615
Style:Baroque
Genre:still life
Medium:oil
Location:Mauritshuis, Hague, Netherlands
Dimensions:34.5×49.5 cm
Copyright:Public domain
Still Life with Cheeses, Almonds and Pretzels (Dutch: Stilleven met kazen, amandelen en krakelingen) is a painting by the Dutch artist Clara Peeters. It seems to have been made circa 1615. It is a still life, painted in oils on a wooden panel. This is 34,5 cm high and 49,5 cm wide. Clara Peeters has painted her signature in the handle of the depicted knife. The painting is displayed in the Mauritshuis museum in The Hague.
Clara Peeters specialised in still lifes with beautiful objects, delicious fruits and expensive food. This type of still life is called "banketje" (banquet) in Dutch. The symbolism of these paintings is not fully known. It could be an encouragement to temperance, or a reference to The Last Supper. Or it might simply be a display of opulence and wealth.
In this painting, in addition to the objects named in the title, there are also curls of butter, figs and a bread roll. In the background is a gold-plated Venetian glass. The almonds and figs are lying in a dish of Chinese Wanli porcelain. Peeters often used the objects in this painting in her still lifes.
In the reflective cover of the "bartmann" jug behind the cheese Clara Peeters painted her own portrait. She thus followed the example of Jan van Eyck, who painted his self-portrait in 1434 in his famous double portrait of the Arnolfini Portrait couple. Clara Peeters made a total of seven self-portraits, including this one.
The Mauritshuis museum in The Hague has the still life of Clara Peters, which it acquired in June 2012. The sale was made possible by the support of the Vereniging Rembrandt, the A.M. Roeters van Lennep Fonds, the Utrechtse Rembrandt Cirkel and the Caius Fonds.
On June 22, 2014 a special episode of the TV show Kunstuur described the renovated Mauritshuis. The Dutch minister Jet Bussemaker explained why Still Life with Cheeses, Almonds and Pretzels was her favorite painting in the museum.
Clara Peeters specialised in still lifes with beautiful objects, delicious fruits and expensive food. This type of still life is called "banketje" (banquet) in Dutch. The symbolism of these paintings is not fully known. It could be an encouragement to temperance, or a reference to The Last Supper. Or it might simply be a display of opulence and wealth.
In this painting, in addition to the objects named in the title, there are also curls of butter, figs and a bread roll. In the background is a gold-plated Venetian glass. The almonds and figs are lying in a dish of Chinese Wanli porcelain. Peeters often used the objects in this painting in her still lifes.
In the reflective cover of the "bartmann" jug behind the cheese Clara Peeters painted her own portrait. She thus followed the example of Jan van Eyck, who painted his self-portrait in 1434 in his famous double portrait of the Arnolfini Portrait couple. Clara Peeters made a total of seven self-portraits, including this one.
The Mauritshuis museum in The Hague has the still life of Clara Peters, which it acquired in June 2012. The sale was made possible by the support of the Vereniging Rembrandt, the A.M. Roeters van Lennep Fonds, the Utrechtse Rembrandt Cirkel and the Caius Fonds.
On June 22, 2014 a special episode of the TV show Kunstuur described the renovated Mauritshuis. The Dutch minister Jet Bussemaker explained why Still Life with Cheeses, Almonds and Pretzels was her favorite painting in the museum.