Portrait of the Count Duke of Olivares
Diego Velazquez
Diego Rodríguez de Silva y Velázquez was a Spanish painter, the leading artist in the court of King Philip IV, and one of the most important painters of the Spanish Golden Age.
Max Resolution:642×1253 PX
Title:Portrait of the Count Duke of Olivares
Artists:Diego Velazquez
Date:1624
Style:Baroque
Genre:portrait
Medium:oil,canvas
Location:Museo de Arte de Sao Paulo (MASP), Sao Paulo, Brazil
Dimensions:203×106 cm
Copyright:Public domain
The Portrait of the Count-Duke of Olivares is a 1624 portrait by Diego Velázquez (Seville, June 6, 1599 – Madrid, August 6 1660), the most celebrated painter of the Spanish Golden Age. It is housed in the São Paulo Museum of Art in São Paulo, Brazil.
The man in the portrait is Gaspar de Guzmán y Pimentel, Count-Duke of Olivares, (Rome, January 6, 1587 – Toro, July 22, 1645), a Spanish politician and nobleman, Count of Olivares and Duke of Sanlucar la Mayor, a favorite of King Philip IV.
The precise date the painting was finished is not know, however the painter took fees for his work on December 4, 1624.
The painting shows the Count-Duke standing with his left hand on the hilt of his sword, resting his right hand on a table from where a hat emerges, which in turn rests on a velvet carpet. The sitter wears a sober black coat, with the symbols of his power, a gold chain with large links, gold spurs, and the Red Cross of the Order of Calatrava, noting the importance, power and seriousness of character.
Also noteworthy is the huge neck bust with flat plate in comparison with the smaller size of the head, which creates an interesting visual impact.
The man in the portrait is Gaspar de Guzmán y Pimentel, Count-Duke of Olivares, (Rome, January 6, 1587 – Toro, July 22, 1645), a Spanish politician and nobleman, Count of Olivares and Duke of Sanlucar la Mayor, a favorite of King Philip IV.
The precise date the painting was finished is not know, however the painter took fees for his work on December 4, 1624.
The painting shows the Count-Duke standing with his left hand on the hilt of his sword, resting his right hand on a table from where a hat emerges, which in turn rests on a velvet carpet. The sitter wears a sober black coat, with the symbols of his power, a gold chain with large links, gold spurs, and the Red Cross of the Order of Calatrava, noting the importance, power and seriousness of character.
Also noteworthy is the huge neck bust with flat plate in comparison with the smaller size of the head, which creates an interesting visual impact.