The Regentesses of the Old Men's Almhouse, Haarlem
Frans Hals
Frans Hals the Elder was a Dutch Golden Age painter, normally of portraits, who lived and worked in Haarlem. Hals played an important role in the evolution of 17th-century group portraiture.
Max Resolution:2303×1569 PX
Title:The Regentesses of the Old Men's Almhouse, Haarlem
Artists:Frans Hals
Date:1664
Style:Baroque
Genre:portrait
Medium:oil,canvas
Location:Frans Hals Museum, Haarlem, Netherlands
Dimensions:170.5×249.5 cm
Copyright:Public domain
The Regentesses of the Old Men's Almshouse Haarlem is a regents' group portrait of four regentesses and their servant painted by Frans Hals for the Oude Mannenhuis in Haarlem, the Netherlands. It forms a pendant with the Regents of the Old Men's Almshouse.
Though it is no longer known which name belongs with which face, the regentesses portrayed were Adriaentje Schouten, Marijtje Willems, Anna van Damme, and Adriana Bredenhof.
Frans Hals painted them in his "loose style", with rough brush strokes. The painting is traditionally dated 1664, though no archival evidence has yet been found to confirm this. The lack of any meticulous finishing, unusual in Hals' portraits of women, lead experts to assume this was painted towards the end of his life when he painted more loosely than in his younger years. The style of the women's dress also places the portrait well past the millstone collars of the 1640s and earlier. The painting currently hangs in the same location for which it was painted, namely the old men's almshouse in Haarlem known today as the Frans Hals Museum. According to Pieter Biesboer, the landscape painting on the rear wall is unidentified, but could possibly be an allegorical representation of the Good Samaritan, though no figures can be seen in it.
In the 19th-century when Hals' loose brushwork became popular with impressionists, several copies were made of this painting:
Max Lieberman also made a copy of one of the heads. James Abbott McNeill Whistler visited in 1882, 1885, and in 1902 to study the Frans Hals paintings, and according to a witness of his last visit, was "completely charmed by the old women".
Though it is no longer known which name belongs with which face, the regentesses portrayed were Adriaentje Schouten, Marijtje Willems, Anna van Damme, and Adriana Bredenhof.
Frans Hals painted them in his "loose style", with rough brush strokes. The painting is traditionally dated 1664, though no archival evidence has yet been found to confirm this. The lack of any meticulous finishing, unusual in Hals' portraits of women, lead experts to assume this was painted towards the end of his life when he painted more loosely than in his younger years. The style of the women's dress also places the portrait well past the millstone collars of the 1640s and earlier. The painting currently hangs in the same location for which it was painted, namely the old men's almshouse in Haarlem known today as the Frans Hals Museum. According to Pieter Biesboer, the landscape painting on the rear wall is unidentified, but could possibly be an allegorical representation of the Good Samaritan, though no figures can be seen in it.
In the 19th-century when Hals' loose brushwork became popular with impressionists, several copies were made of this painting:
Max Lieberman also made a copy of one of the heads. James Abbott McNeill Whistler visited in 1882, 1885, and in 1902 to study the Frans Hals paintings, and according to a witness of his last visit, was "completely charmed by the old women".