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Antenora, Ugolino with his sons in the Tower of Hunger

Joseph Anton Koch

Joseph Anton Koch was an Austrian painter of Neoclassicism and later the German Romantic movement; he is perhaps the most significant neoclassical landscape painter.

Max Resolution:234×270 PX

Title:Antenora, Ugolino with his sons in the Tower of Hunger

Original Title:Antenora, Ugolino Mit Seinen Söhnen Im Turm Des Hungers

Artists:Joseph Anton Koch

Style:Neoclassicism

Genre:literary painting,history painting

Location:Academy of Fine Arts Vienna, Vienna, Austria

Copyright:Public domain

Count Ugolino della Gherardesca (c. 1220 – March 1289), count of Donoratico, was an Italian nobleman, politician and naval commander. He was frequently accused of treason and features prominently in Dante's Divine Comedy.

In the 13th century, Italy was beset by the strife of two parties, the Ghibellines and the Guelphs. While the conflict was local and personal in origin, the parties had come to be associated with the two universal powers: the Ghibellines sided with the Holy Roman Emperor and his rule of Italy, while the Guelphs sided with the Pope, who supported self-governing city-states.

Pisa was controlled by the Ghibellines, while most of the surrounding cities were controlled by the Guelphs, most notably Pisa's trading rivals Genoa and Florence. Under the circumstances, Pisa adopted the "strong and vigilant government" of a podestà "armed with almost despotic power"

Ugolino was born in Pisa into the della Gherardesca family, a noble family of Germanic origins whose alliance with the Hohenstaufen Emperors had brought to prominence in Tuscany and made them the leaders of the Ghibellines in Pisa.

Between 1256 and 1258 he participated in the war against the filo-genoese giudicato of Cagliari, in Sardinia. Ugolino then obtained the south-western portion of the former giudical territory, with its rich silver mines, where he founded the important city of Villa di Chiesa, today Iglesias.

As head of his family, the Ghibelline party and podestà of Pisa, Ugolino took action to preserve his power in the face of the political hostility of Pisa's neighbours. In 1271, through a marriage of his sister with Giovanni Visconti, judge of Gallura, he allied himself with the Visconti, the leaders of the Guelphs in Pisa. In doing so, he aroused the suspicions of his fellow Ghibellines.

The subsequent disorders in the city in 1274 led to the arrest of both Ugolino and Giovanni, who were accused of plotting to undermine Pisa's government and, with the support from Tuscany's Guelphs, share power among themselves. Ugolino was imprisoned and Giovanni banished from Pisa. Giovanni Visconti died soon afterwards, and Ugolino, no longer regarded as a threat, was set free and banished. In exile, Ugolino immediately began to intrigue with the Guelph cities of Florence and Lucca. With the help of Charles I of Anjou, he attacked his native city and forced it to make peace on humiliating terms, pardoning him and all the other Guelph exiles. After his return, Ugolino at first remained aloof from politics but quietly worked to reassert his influence.

In 1284, war broke out between Pisa and Genoa and both Ugolino and Andreotto Saracini were appointed as captains of two divisions of fleets by Alberto Morosini, the Podestà of Pisa. The two fleets met in August in the Battle of Meloria. The Genoese fought valiantly and destroyed seven Pisan galleys and captured twenty-eight. Among the eleven thousand captives was the Podestà. Ugolino and his division set the sign of surrender and withdrew, deciding the battle in favour of Genoa. This flight was later interpreted as treachery but not by any writer earlier than the 16th century.