St. Dominic Polyptych
Lorenzo Lotto
Lorenzo Lotto was an Italian painter, draughtsman and illustrator, traditionally placed in the Venetian school. He painted mainly altarpieces, religious subjects and portraits.
Max Resolution:577×695 PX
Title:St. Dominic Polyptych
Artists:Lorenzo Lotto
Date:c.1506
Style:High Renaissance
Genre:religious painting
Medium:oil,wood
Location:Villa Colloredo Mels Museum, Recanati, Italy
Dimensions:242×307 cm
Copyright:Public domain
The Recanati Polyptych (Italian: Polittico di Recanati) is a painting by the Italian Renaissance painter Lorenzo Lotto, executed in 1506-1508 and housed in the Civic Museum of Villa Colloredo Mels, Recanati, Italy. The work is dated and signed Laurent[ius] Lotus MDVIII.
Lotto began to work on the piece in 1506 as a devotional for the church of San Domenico in Recanati. The work was seen and described complete and in situ by Giorgio Vasari in his Vite, who said Lotto was still young and followed partly the manner of the Bellini, partly that of Giorgione. By 1861, the polyptych was disassembled, but was later recomposed and transferred to the Communal Art Gallery. San Domenico still contains a Lotto fresco depicting St Vincent Ferrer.
The polyptych includes a larger altarpiece in the center, flanked by two smaller ones in the same shape. At the top are two side panels with Saints, and a top rectangular one depicting the Pietà. The polyptych scheme, related to a 15th-century old fashioned scheme, was perhaps chosen by the friars of the convent: Lotto anyway developed it into a single composition, at least in the lower panels, with a scene set under a loggia with a coffered barrel vault in center and two minor vaults at the sides, while in the background is a landscape representation.
The niches in the background, featuring Byzantine-style mosaics, are inspired by earlier works by Giovanni Bellini, while the checkrboard pavement is an example of knowledge of the geometrical perspective introduced by the Italian Renaissance in the 15th century.
The panels are:
The presence of Dominican saints is connected to the order who held the church, while Flavian and Vitues are the patrons saints of Recanati. Saint Dominic himself is portrayed in the central panel while receiving the white scapular from the Virgin. Next to Dominic are two little musician angels, who are scared by him.
Lotto began to work on the piece in 1506 as a devotional for the church of San Domenico in Recanati. The work was seen and described complete and in situ by Giorgio Vasari in his Vite, who said Lotto was still young and followed partly the manner of the Bellini, partly that of Giorgione. By 1861, the polyptych was disassembled, but was later recomposed and transferred to the Communal Art Gallery. San Domenico still contains a Lotto fresco depicting St Vincent Ferrer.
The polyptych includes a larger altarpiece in the center, flanked by two smaller ones in the same shape. At the top are two side panels with Saints, and a top rectangular one depicting the Pietà. The polyptych scheme, related to a 15th-century old fashioned scheme, was perhaps chosen by the friars of the convent: Lotto anyway developed it into a single composition, at least in the lower panels, with a scene set under a loggia with a coffered barrel vault in center and two minor vaults at the sides, while in the background is a landscape representation.
The niches in the background, featuring Byzantine-style mosaics, are inspired by earlier works by Giovanni Bellini, while the checkrboard pavement is an example of knowledge of the geometrical perspective introduced by the Italian Renaissance in the 15th century.
The panels are:
The presence of Dominican saints is connected to the order who held the church, while Flavian and Vitues are the patrons saints of Recanati. Saint Dominic himself is portrayed in the central panel while receiving the white scapular from the Virgin. Next to Dominic are two little musician angels, who are scared by him.