Orpheus and Eurydice (Landscape with Orpheus and Eurydice)
Nicolas Poussin
Nicolas Poussin was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors.
Max Resolution:4246×2599 PX
Title:Orpheus and Eurydice (Landscape with Orpheus and Eurydice)
Original Title:Orphée et Eurydice
Artists:Nicolas Poussin
Date:c.1650
Style:Classicism
Genre:mythological painting
Medium:oil,canvas
Location:Louvre, Paris, France
Dimensions:124×200 cm
Copyright:Public domain
Landscape with Orpheus and Eurydice is a huge 200 × 124 cm (approx 6.5 × 4 feet) oil-on-canvas by artist in the classical style Nicolas Poussin, painted between 1650 and 1653. It is currently held and exhibited at the Louvre in Paris
Nicolas Poussin painted this work for his longtime friend and patron, Jean Pointel, who was a rich banker in Paris. Pointel also was a member of the libertines, a circle which Poussin himself frequented. It was in Pointel's collection, which had many works by Poussin, but was stored away after the political climate in Paris changed. In its place Poussin`s landscape with snake and dying man, was hung in Pointel`s private collection.
Poussin places the story of Orpheus in the Campagna Romana (Roman countryside): the Castel Sant'Angelo and the Torre delle Milizie ("Tower of the Militia") figure in this painting, borrowed from the landscape of the Eternal City. Dense smoke pours from a fire which devastates the Castle, and darkens a sky already overcast with sombre clouds. The fall of the light divides the landscape diagonally into bright and dark areas - a division clearly seen on the Torre delle Milizie.
Many of Poussin's pictures have darkened, mainly as a result of a red underpainting which has begun to show through the colours. The Orpheus, however, is free of this: it has kept its original transparency even in the darker passages, and the whole painting is in a particularly fine state of preservation.
This work by Poussin remains cryptic and there are various opinions about possible ways to decipher it.
Nicolas Poussin painted this work for his longtime friend and patron, Jean Pointel, who was a rich banker in Paris. Pointel also was a member of the libertines, a circle which Poussin himself frequented. It was in Pointel's collection, which had many works by Poussin, but was stored away after the political climate in Paris changed. In its place Poussin`s landscape with snake and dying man, was hung in Pointel`s private collection.
Poussin places the story of Orpheus in the Campagna Romana (Roman countryside): the Castel Sant'Angelo and the Torre delle Milizie ("Tower of the Militia") figure in this painting, borrowed from the landscape of the Eternal City. Dense smoke pours from a fire which devastates the Castle, and darkens a sky already overcast with sombre clouds. The fall of the light divides the landscape diagonally into bright and dark areas - a division clearly seen on the Torre delle Milizie.
Many of Poussin's pictures have darkened, mainly as a result of a red underpainting which has begun to show through the colours. The Orpheus, however, is free of this: it has kept its original transparency even in the darker passages, and the whole painting is in a particularly fine state of preservation.
This work by Poussin remains cryptic and there are various opinions about possible ways to decipher it.