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Venus and Adonis

Paolo Veronese

Paolo Caliari, known as Paolo Veronese. Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the great trio that dominated Venetian painting of the cinquecento and the Late Renaissance in the 16th century.

Max Resolution:1278×900 PX

Title:Venus and Adonis

Artists:Paolo Veronese

Date:c.1562

Style:Mannerism

Genre:mythological painting

Medium:oil,canvas

Location:Schaezlerpalais, Augsburg, Germany

Dimensions:123×174 cm

Copyright:Public domain

Venus and Adonis is a 1562 painting by Paolo Veronese, now held at the Staatliche Kunstsammlungen in Augsburg, Germany.

It shows the moment at which Venus tries to stop Adonis from going hunting after having a premonition of his death. He had painted another version of the same subject in 1580, but the style and composition of the two works are completely different. According to some critics, Veronese based the 1562 version on Titian's painting of the subject, which he first encountered through engravings by Cornelis Cort. Veronese puts Venus's shoulders in the same position and the general approach is similar to Titian's, though Veronese's work is less dramatic and more composed, with the characters' relationship based more on looks than physical contact and with Venus stopping Adonis by holding onto his dogs' leads and hiding his hunting horn.