The Elevation of the Cross
Peter Paul Rubens
Sir Peter Paul Rubens was a Flemish artist. He is considered the most influential artist of Flemish Baroque tradition.
Max Resolution:3215×2341 PX
Title:The Elevation of the Cross
Artists:Peter Paul Rubens
Date:1610
Style:Baroque
Genre:sketch and study
Medium:oil
Location:Private Collection, Cathedral of Our Lady, Antwerp, Belgium
Dimensions:460×640 cm
Copyright:Public domain
The Elevation of the Cross (also called The Raising of the Cross) is the name of two paintings, a triptych painting, and an oil on paper painting, both by Flemish artist Peter Paul Rubens. The triptych painting was the first to be completed in 1610-1611. The second reproduction was completed by Ruebens around 1638.
Peter Paul Rubens painted the triptych The Elevation of the Cross after returning to Flanders from Italy. The work shows the clear influence of Italian Renaissance and Baroque artists such as Caravaggio, Tintoretto and Michelangelo. The central panel illustrates a tension between the multitude of massively muscled men attempting to lift the cross and the seemingly unbearable weight of Christ on the cross.
Peter Paul Rubens' foreshortening is evident in the contortions of the struggling, strapping men. Christ cuts across the central panel in a diagonal, stylistically akin to Caravaggio's Entombment where both descent and ascent are in play at a key moment. Motion, space and time are illustrated along with the struggle to upright the cross. Rubens uses dynamic color and chiaroscuro boldly, a style that would become more subtle with time.
The triptych painting is located at the Cathedral of Our Lady in Antwerp, Belgium, along with other Rubens works. It was commissioned by the church to express their allegiance with Catholicism, after the split of the Protestants. Under Napoleon's rule, the emperor took the painting, along with Peter Paul Rubens' The Descent from the Cross, to Paris. The paintings were returned to the cathedral in 1815.
The Elevation of the Cross is also the title of a smaller oil on paper painting reproduction of the triptych painting. Also painted by Ruebens, he completed the piece around 1638, and it was given given to Hans Witdoeck, to use as a modello. The smaller painting is unique from the original, however, with the addition of color accents throughout the composition. Due to its size, some have suggested the painting may have been conceived as an independent painting to The Elevation of the Cross, to be given as a personal gift to Cornelis van der Geest. The painting is presently a part of the Art Gallery of Ontario's permanent collection, after it was purchased from George Holford in 1928.
Peter Paul Rubens painted the triptych The Elevation of the Cross after returning to Flanders from Italy. The work shows the clear influence of Italian Renaissance and Baroque artists such as Caravaggio, Tintoretto and Michelangelo. The central panel illustrates a tension between the multitude of massively muscled men attempting to lift the cross and the seemingly unbearable weight of Christ on the cross.
Peter Paul Rubens' foreshortening is evident in the contortions of the struggling, strapping men. Christ cuts across the central panel in a diagonal, stylistically akin to Caravaggio's Entombment where both descent and ascent are in play at a key moment. Motion, space and time are illustrated along with the struggle to upright the cross. Rubens uses dynamic color and chiaroscuro boldly, a style that would become more subtle with time.
The triptych painting is located at the Cathedral of Our Lady in Antwerp, Belgium, along with other Rubens works. It was commissioned by the church to express their allegiance with Catholicism, after the split of the Protestants. Under Napoleon's rule, the emperor took the painting, along with Peter Paul Rubens' The Descent from the Cross, to Paris. The paintings were returned to the cathedral in 1815.
The Elevation of the Cross is also the title of a smaller oil on paper painting reproduction of the triptych painting. Also painted by Ruebens, he completed the piece around 1638, and it was given given to Hans Witdoeck, to use as a modello. The smaller painting is unique from the original, however, with the addition of color accents throughout the composition. Due to its size, some have suggested the painting may have been conceived as an independent painting to The Elevation of the Cross, to be given as a personal gift to Cornelis van der Geest. The painting is presently a part of the Art Gallery of Ontario's permanent collection, after it was purchased from George Holford in 1928.