Misanthrope
Pieter Bruegel the Elder
Pieter Bruegel was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker from Brabant, known for his landscapes and peasant scenes; he was a pioneer in making both types of subject the focus in large paintings.
Max Resolution:2536×2505 PX
Title:Misanthrope
Original Title:Misantroop
Artists:Pieter Bruegel the Elder
Date:1568
Style:Northern Renaissance
Genre:genre painting
Medium:canvas,tempera
Location:National Museum of Capodimonte, Naples, Italy
Dimensions:86×85 cm
Copyright:Public domain
The Misanthrope is a tempera painting on canvas by the Flemish Renaissance artist Pieter Bruegel the Elder, created during 1568. It currently is held and exhibited at the National Museum of Capodimonte in Naples, Italy.
The circular painting is encased in a square frame and depicts a black-robed, white-bearded elderly man clasping his hands before him. A smaller barefooted man behind him uses a knife to cut the strings to the elderly man's moneypouch. The elderly man appears so lost in thought that he notices neither the theft nor the thorns that lie in his path. A transparent sphere with a cross at its peak encloses the thief A Flemish inscription at the bottom reads:
The moral suggested by the painting is that such a relinquishment of the world is not possible: one must face up to the world's difficulties, not abandon responsibility for them.
The hooded misanthrope is being robbed by the small figure in the glass ball who is holding his purse. That figure is a symbol of vanity. The symbolism in the painting portrays how impossible it is for his actions to lead to giving up the world. The misanthrope also is walking unaware toward caltrops set for him by the world (cast in his path). He cannot renounce the world as he would wish and he is contrasted with the shepherd in the background, who guards his sheep and who is more virtuous than the misanthrope because of his simple, honourable performance of his duties and his sense of responsibility toward his charges.
The circular painting is encased in a square frame and depicts a black-robed, white-bearded elderly man clasping his hands before him. A smaller barefooted man behind him uses a knife to cut the strings to the elderly man's moneypouch. The elderly man appears so lost in thought that he notices neither the theft nor the thorns that lie in his path. A transparent sphere with a cross at its peak encloses the thief A Flemish inscription at the bottom reads:
The moral suggested by the painting is that such a relinquishment of the world is not possible: one must face up to the world's difficulties, not abandon responsibility for them.
The hooded misanthrope is being robbed by the small figure in the glass ball who is holding his purse. That figure is a symbol of vanity. The symbolism in the painting portrays how impossible it is for his actions to lead to giving up the world. The misanthrope also is walking unaware toward caltrops set for him by the world (cast in his path). He cannot renounce the world as he would wish and he is contrasted with the shepherd in the background, who guards his sheep and who is more virtuous than the misanthrope because of his simple, honourable performance of his duties and his sense of responsibility toward his charges.