The Harvesters (July–August)
Pieter Bruegel the Elder
Pieter Bruegel was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker from Brabant, known for his landscapes and peasant scenes; he was a pioneer in making both types of subject the focus in large paintings.
Max Resolution:5920×4360 PX
Title:The Harvesters (July–August)
Artists:Pieter Bruegel the Elder
Date:1565
Style:Northern Renaissance
Genre:genre painting,landscape
Medium:oil,panel
Location:Metropolitan Museum of Art (Met), New York City, NY, US
Dimensions:116.5×159.5 cm
Copyright:Public domain
The Harvesters is an oil painting on wood completed by Pieter Bruegel the Elder in 1565. It depicts the harvest time which most commonly occurred within the months of August and September. Nicolaes Jonghelinck, a merchant banker and art collector from Antwerp, commissioned this painting.
The painting is one in a series of six works, five of which are still extant, that depict different times of the year. As in many of his paintings, the focus is on peasants and their work. Notably, some of the peasants are shown eating while others are harvesting wheat, a diachronic (relating to phenomena such as ideas, language, or culture, as they occur or change over a period of time) depiction of both the production and consumption of food. Pears can be seen on the white cloth in front of the upright sitting woman who eats bread and cheese while a figure in the tree to the far right picks pears. The painting shows a large number of activities representative of the 16th-century Belgian rural life. For example, on the far right a person is shaking apples from the tree. In the center left of the painting, a group of villagers can be seen participating in the blood sport of cock throwing.
The painting has been at the Metropolitan Museum of Art in New York City since 1919. The Metropolitan Museum of Art calls this painting a “watershed in the history of Western art” and the “first modern landscape”. A sense of distance is conveyed by the workers carrying sheaves of wheat through the clearing, the people bathing in the pond, the children playing and the ships far away.
The surviving Months of the Year cycle are:
The Gloomy Day, The Hunters in the Snow, and The Return of the Herd are on display in the Kunsthistorisches Museum in Vienna. The Hay Harvest is on display in the Lobkowicz Palace in Prague.
Legendary animation director, Hayao Miyazaki took inspiration from this painting for his short film Mr. Dough and the Egg Princess.
The painting is one in a series of six works, five of which are still extant, that depict different times of the year. As in many of his paintings, the focus is on peasants and their work. Notably, some of the peasants are shown eating while others are harvesting wheat, a diachronic (relating to phenomena such as ideas, language, or culture, as they occur or change over a period of time) depiction of both the production and consumption of food. Pears can be seen on the white cloth in front of the upright sitting woman who eats bread and cheese while a figure in the tree to the far right picks pears. The painting shows a large number of activities representative of the 16th-century Belgian rural life. For example, on the far right a person is shaking apples from the tree. In the center left of the painting, a group of villagers can be seen participating in the blood sport of cock throwing.
The painting has been at the Metropolitan Museum of Art in New York City since 1919. The Metropolitan Museum of Art calls this painting a “watershed in the history of Western art” and the “first modern landscape”. A sense of distance is conveyed by the workers carrying sheaves of wheat through the clearing, the people bathing in the pond, the children playing and the ships far away.
The surviving Months of the Year cycle are:
The Gloomy Day, The Hunters in the Snow, and The Return of the Herd are on display in the Kunsthistorisches Museum in Vienna. The Hay Harvest is on display in the Lobkowicz Palace in Prague.
Legendary animation director, Hayao Miyazaki took inspiration from this painting for his short film Mr. Dough and the Egg Princess.