Portrait of Lorenzo di Credi
Pietro Perugino
Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.
Max Resolution:519×745 PX
Title:Portrait of Lorenzo di Credi
Artists:Pietro Perugino
Date:1488
Style:Early Renaissance
Genre:portrait
Location:National Gallery of Art, Washington, DC, US
Dimensions:30.5×44 cm
Copyright:Public domain
The Portrait of Lorenzo di Credi is a painting by the Italian Renaissance artist Perugino, dating to around 1504 and housed in the National Gallery of Art, Washington, DC, United States.
Before the painting was transferred to canvas, the wooden support had the inscription "Lorenzo di Credi, pittore più eccellente, 1488, età 32 anni, 8 mesi", perhaps added in the 16th century. For centuries, this was thought to be a self-portrait signature: however, starting from the 20th centuries the work was attributed, due to styilistical considerations, to Pietro Perugino (in particular, for the similitarities to the Portrait of Francesco delle Opere at the Uffizi), who had studied with Lorenzo in Verrocchio's workshop.
The painter is portrayed from three-quarters, with a rocky and hilly landscape in the background. He wears a black berret and a blouse of the same color, the collar of a white shirt barely visible at the neck. The melancholic expression, as well as the black clothes, are perhaps connected to the death of the common master Verrocchio, which occurred in 1488.
Before the painting was transferred to canvas, the wooden support had the inscription "Lorenzo di Credi, pittore più eccellente, 1488, età 32 anni, 8 mesi", perhaps added in the 16th century. For centuries, this was thought to be a self-portrait signature: however, starting from the 20th centuries the work was attributed, due to styilistical considerations, to Pietro Perugino (in particular, for the similitarities to the Portrait of Francesco delle Opere at the Uffizi), who had studied with Lorenzo in Verrocchio's workshop.
The painter is portrayed from three-quarters, with a rocky and hilly landscape in the background. He wears a black berret and a blouse of the same color, the collar of a white shirt barely visible at the neck. The melancholic expression, as well as the black clothes, are perhaps connected to the death of the common master Verrocchio, which occurred in 1488.