The Virgin enthroned, with angels and saints, Vallombrosa Alterpiece
Pietro Perugino
Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.
Max Resolution:528×900 PX
Title:The Virgin enthroned, with angels and saints, Vallombrosa Alterpiece
Artists:Pietro Perugino
Date:1500
Style:High Renaissance
Genre:religious painting
Medium:panel,tempera,oil
Location:Galleria dell'Accademia di Firenze, Florence, Italy
Dimensions:246×415 cm
Copyright:Public domain
The Vallombrosa Altarpiece is a painting by the Italian Renaissance painter Pietro Perugino, dating to 1500–01. It is housed in the Accademia Gallery of Florence, Italy.
The painting was commissioned to Perugino for the high altar of the Vallombrosa Abbey, in the Florence countryside, and was finished within July 1500. The work was originally completed by a predella, of which only two portraits remain (Biagio Milanesi, the then-abbot, and of the monk Baldassarre); both works are now at the Uffizi Gallery.
After the Napoleonic invasion of Italy and the suppression of the abbey, the canvas was moved to Paris in 1810. However, it was restored to Tuscany in 1817, being assigned to the Florentine gallery in this occasion.
As for other Perugino's works, the panel is divided into two sections, in a pattern derived from his Assumption (now lost) of the Sistine Chapel: the upper part with God and celestial figures, and the lower one, with the saints. In the middle is the ascending Mary, enclosed within an almond which sharply ends at the lunette, in turn occupied by a blessing God surrounded by angels.
Below are four saints, portrayed above an indeterminate hilly landscape: from left, Bernard degli Uberti, John Gualbert, Benedict and Michael Archangel. At the lower edge is the artist's signature, reading "PETRVS PERVSINVS PINXIT AD MCCCCC".
The painting was commissioned to Perugino for the high altar of the Vallombrosa Abbey, in the Florence countryside, and was finished within July 1500. The work was originally completed by a predella, of which only two portraits remain (Biagio Milanesi, the then-abbot, and of the monk Baldassarre); both works are now at the Uffizi Gallery.
After the Napoleonic invasion of Italy and the suppression of the abbey, the canvas was moved to Paris in 1810. However, it was restored to Tuscany in 1817, being assigned to the Florentine gallery in this occasion.
As for other Perugino's works, the panel is divided into two sections, in a pattern derived from his Assumption (now lost) of the Sistine Chapel: the upper part with God and celestial figures, and the lower one, with the saints. In the middle is the ascending Mary, enclosed within an almond which sharply ends at the lunette, in turn occupied by a blessing God surrounded by angels.
Below are four saints, portrayed above an indeterminate hilly landscape: from left, Bernard degli Uberti, John Gualbert, Benedict and Michael Archangel. At the lower edge is the artist's signature, reading "PETRVS PERVSINVS PINXIT AD MCCCCC".