The Pregnant Woman, La Donna Gravida
Raphael
Raffaello Sanzio da Urbino, known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition
Max Resolution:820×1075 PX
Title:The Pregnant Woman, La Donna Gravida
Artists:Raphael
Date:c.1505 - 1507
Style:High Renaissance
Genre:portrait
Medium:oil,panel
Location:Palazzo Pitti, Florence, Italy
Dimensions:66×52 cm
Copyright:Public domain
La donna gravida (or simply La gravida; Italian for "The Pregnant Woman") is an oil on wood portrait by the Italian High Renaissance artist Raphael. It was painted between 1505 and 1506, during Raphael's stay in Florence, Italy. It is currently housed in the Palazzo Pitti in Florence.
The portrait depicts a woman who is pregnant sitting with her left hand resting on her stomach. Paintings of pregnant women were unusual in the Renaissance period.
The work is mentioned for the first time in an early 18th-century inventory of Palazzo Pitti, as from an unknown artist. In 1813 it was transferred to the Grand Ducal wardrobe of the Uffizi, before returning again to Palazzo Pitti where it should replace several works robbed by the French. In the 1815 inventory it is attributed to Innocenzo da Imola, while in that of 1829 it is again listed as by an unknown painter. It was first ascribed to Raphael in 1839: it is now nearly unanimously considered by the Umbrian painter, with the exception of Italian 19th century art historian Giovanni Battista Cavalcaselle, who assigned it to Ridolfo del Ghirlandaio.
The identification of the portrayed woman is disputed. She could be a member of the Bufalini family of Città di Castello, or Emilia Pia da Montefeltro, due to similarities with the Portrait of Emilia Pia da Montefeltro, now at Baltimore Museum of Art in the United States.
The portrait depicts a woman who is pregnant sitting with her left hand resting on her stomach. Paintings of pregnant women were unusual in the Renaissance period.
The work is mentioned for the first time in an early 18th-century inventory of Palazzo Pitti, as from an unknown artist. In 1813 it was transferred to the Grand Ducal wardrobe of the Uffizi, before returning again to Palazzo Pitti where it should replace several works robbed by the French. In the 1815 inventory it is attributed to Innocenzo da Imola, while in that of 1829 it is again listed as by an unknown painter. It was first ascribed to Raphael in 1839: it is now nearly unanimously considered by the Umbrian painter, with the exception of Italian 19th century art historian Giovanni Battista Cavalcaselle, who assigned it to Ridolfo del Ghirlandaio.
The identification of the portrayed woman is disputed. She could be a member of the Bufalini family of Città di Castello, or Emilia Pia da Montefeltro, due to similarities with the Portrait of Emilia Pia da Montefeltro, now at Baltimore Museum of Art in the United States.