The Annunciation
Rogier van der Weyden
Rogier van der Weyden was an Early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces and commissioned single and diptych portraits.
Max Resolution:1309×670 PX
Title:The Annunciation
Artists:Rogier van der Weyden
Date:1440
Style:Northern Renaissance
Genre:religious painting
Medium:oil,panel
Location:Sabauda Gallery, Turin, Italy
Dimensions:36.5×89 cm
Copyright:Public domain
The Annunciation Triptych is an oil-on-panel triptych by the Netherlandish artist Rogier van der Weyden, dating from around 1434. It was originally formed by three panels, the central one being now at The Louvre museum in Paris, France; the side panels are at the Galleria Sabauda of Turin, northern Italy.
It is an early work by the Netherlandish artist, with a visible re-elaborations of elements from Robert Campin and Jan van Eyck. The central panel depicts a composition within a domestic interior, with a richly dressed Angel surprising the Virgin who reads a book (a symbol of the Holy Books).
Van der Weyden paid attentions to technical details, such as the shining metallic objects, like the lamp, the jar, the medallion hanging over the bed. The horizon line is elevated like in other contemporary Neterlandish paintings.
The side panels have similar characteristics, but are set in more luminous landscapes, with the elements in the background becoming increasingly invisible in the haze, according to aerial perspective.
It is an early work by the Netherlandish artist, with a visible re-elaborations of elements from Robert Campin and Jan van Eyck. The central panel depicts a composition within a domestic interior, with a richly dressed Angel surprising the Virgin who reads a book (a symbol of the Holy Books).
Van der Weyden paid attentions to technical details, such as the shining metallic objects, like the lamp, the jar, the medallion hanging over the bed. The horizon line is elevated like in other contemporary Neterlandish paintings.
The side panels have similar characteristics, but are set in more luminous landscapes, with the elements in the background becoming increasingly invisible in the haze, according to aerial perspective.