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The Adoration of the Magi

Sandro Botticelli

Alessandro di Mariano di Vanni Filipepi, known as Sandro Botticelli, was an Italian painter of the Early Renaissance.

Max Resolution:5535×4511 PX

Title:The Adoration of the Magi

Original Title:L'Adorazione dei Magi

Artists:Sandro Botticelli

Date:c.1475 - c.1476

Style:Early Renaissance

Genre:religious painting

Medium:tempera

Location:Uffizi Gallery, Florence, Italy

Dimensions:134×111 cm

Copyright:Public domain

The Adoration of the Magi is a painting by the Italian Renaissance master Sandro Botticelli, dating from 1475 or 1476, early in his career. The work is on display at the Uffizi in Florence. Botticelli was commissioned to paint at least seven versions of The Adoration of the Magi.

In the scene numerous characters are present, among which are several members of the Medici family: Cosimo de' Medici (the Magus kneeling in front of the Virgin, described by Vasari as "the finest of all that are now extant for its life and vigour"), his sons Piero (the second Magus kneeling in the centre with the red mantle) and Giovanni (the third Magus), and his grandsons Giuliano and Lorenzo. The three Medici portrayed as Magi were all dead at the time the picture was painted, and Florence was effectively ruled by Lorenzo.

Whether Botticelli's intimate relations with the Medici brothers allowed the wealthy Gaspare to introduce the portraits of their kinsmen in his altar-piece, or Gaspare was glad for this opportunity to pay a graceful compliment to these powerful personages is hard to tell. It is, however, apparent from the great pains in which Botticelli bestowed on these figures, that this formed an important part of the task.

Also Gaspare himself is said to be included in the painting, as the old man on the right with white hair and a light blue robe looking and pointing at the observer. Furthermore, also Botticelli is alleged to have made a self-portrait as the blonde man with yellow mantle on the far right.

In his Lives, Vasari describes the Adoration in the following way:

The attention to details, such as the garments rendering, show the acquisition by the Florentine artist of the influences from the Flemish school at this point of his career.