Violante
Titian
Tiziano Vecelli or Tiziano Vecellio, the most important member of the 16th-century Venetian school.
Max Resolution:1600×2048 PX
Title:Violante
Artists:Titian
Date:1515 - 1518
Style:High Renaissance
Genre:portrait
Medium:oil,canvas
Location:Private Collection, Kunsthistorisches Museum, Vienna, Austria
Dimensions:51×65.5 cm
Copyright:Public domain
Violante is an oil painting attributed to Titian, dated to around 1515 and now held at the Kunsthistorisches Museum in Vienna.
The work was part of the Venetian collection of Bartolomeo della Nave and in 1636, it was sold to the Duke of Hamilton, who brought it to London. In 1659, it was acquired by Archduke Leopold Wilhelm of Austria, whose collection later became part of the current museum.
The title refers to the traditional identification with Violante, the daughter of painter Palma the Elder (to whom the painting was assigned for a long time), which has however no proof. An etching by David Teniers the Younger show the painting having larger size, although a representation of the archduke's gallery from the same artist depicts it in the same current size. The painting must have been a popular painting when it was in the Archduke's cabinet, as it was portrayed in his gallery paintings.
The work was attributed to Titian by Italian art historian Roberto Longhi. The woman portrayed is very similar to that in the Balbi Holy Conversation and a series of portraits of wavy-haired blonde women such as the Woman at the Mirror, Flora, the Vanity, Salome and the Young Woman with Black Dress.
The work was part of the Venetian collection of Bartolomeo della Nave and in 1636, it was sold to the Duke of Hamilton, who brought it to London. In 1659, it was acquired by Archduke Leopold Wilhelm of Austria, whose collection later became part of the current museum.
The title refers to the traditional identification with Violante, the daughter of painter Palma the Elder (to whom the painting was assigned for a long time), which has however no proof. An etching by David Teniers the Younger show the painting having larger size, although a representation of the archduke's gallery from the same artist depicts it in the same current size. The painting must have been a popular painting when it was in the Archduke's cabinet, as it was portrayed in his gallery paintings.
The work was attributed to Titian by Italian art historian Roberto Longhi. The woman portrayed is very similar to that in the Balbi Holy Conversation and a series of portraits of wavy-haired blonde women such as the Woman at the Mirror, Flora, the Vanity, Salome and the Young Woman with Black Dress.