St. George Killing the Dragon
Vittore Carpaccio
Vittore Carpaccio was an Italian painter of the Venetian school, who studied under Gentile Bellini. He is best known for a cycle of nine paintings, The Legend of Saint Ursula.
Max Resolution:4096×1629 PX
Title:St. George Killing the Dragon
Artists:Vittore Carpaccio
Date:1502 - 1507
Style:High Renaissance
Genre:religious painting
Medium:oil,canvas,tempera
Location:Scuola di San Giorgio degli Schiavoni, Venice, Italy
Dimensions:141×360 cm
Copyright:Public domain
St. George and the Dragon is a painting by the Italian Renaissance artist Vittore Carpaccio. It is housed in the Scuola di San Giorgio degli Schiavoni of Venice, northern Italy.
The works dates to Carpaccio's mature period, when he was called by the "scuola" (guild or corporation) of the Schiavoni (Dalmatians) to execute a cycle of nine paintings on the stories of patron saints (George, Jerome and Tryphon) and evangelic episodes. The work began in 1502 and was completed in 1507.
The painting shows the first of the three episodes dedicated to St. George's life: the other two are the Triumph of St. George and the Baptism of the Selenites. St. George is portrayed while riding a horse above a wide background, his lance piercing the dragon's head. On the right is a praying princess. A diagonal line connects the princess head, passing through the lance, to the twisted tail of the dragon.
The arid terrain of a desert, with a few bunches of herbs, is covered with the remains of the dragon's victims: the scrawny stump of a woman, a half-devoured dress, a man with amputated limbs, a severed foot and arm, skulls and bones, both of animals and humans. The inhospitality of the place is further enhanced by the presence of vipers, lizards, toads, vultures, as well by the nearly monocromatic use of yellow and pale greens: the only bright tones are those associated with George's metal armor, the horse's harness and the princess' dress.
In the background is a fantastic city, Silene of Libya. A crowd is looking at the scene from terraces and open pavilions. The hills, featuring castles and rocky spurs, slope down to a harbor where are a grounded ship and a vessel crowned by a natural arch of edifices, which has parallels with fantastic creations in the Ferrara school.
The works dates to Carpaccio's mature period, when he was called by the "scuola" (guild or corporation) of the Schiavoni (Dalmatians) to execute a cycle of nine paintings on the stories of patron saints (George, Jerome and Tryphon) and evangelic episodes. The work began in 1502 and was completed in 1507.
The painting shows the first of the three episodes dedicated to St. George's life: the other two are the Triumph of St. George and the Baptism of the Selenites. St. George is portrayed while riding a horse above a wide background, his lance piercing the dragon's head. On the right is a praying princess. A diagonal line connects the princess head, passing through the lance, to the twisted tail of the dragon.
The arid terrain of a desert, with a few bunches of herbs, is covered with the remains of the dragon's victims: the scrawny stump of a woman, a half-devoured dress, a man with amputated limbs, a severed foot and arm, skulls and bones, both of animals and humans. The inhospitality of the place is further enhanced by the presence of vipers, lizards, toads, vultures, as well by the nearly monocromatic use of yellow and pale greens: the only bright tones are those associated with George's metal armor, the horse's harness and the princess' dress.
In the background is a fantastic city, Silene of Libya. A crowd is looking at the scene from terraces and open pavilions. The hills, featuring castles and rocky spurs, slope down to a harbor where are a grounded ship and a vessel crowned by a natural arch of edifices, which has parallels with fantastic creations in the Ferrara school.