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Sebastiano del Piombo

Italian, High Renaissance,Mannerism (Late Renaissance)

IntroductionArtworks

Born:c.1485; Venice, Italy

Died:June 21, 1547; Rome, Italy

Education:Venetian School

Known for:painting

Movement:High Renaissance,Mannerism (Late Renaissance)

Sebastiano del Piombo(Italian:[sebaˈstjaːnodelˈpjombo];c. 1485– 21 June 1547) was an Italian painter of theHigh Renaissanceand earlyManneristperiods famous as the only major artist of the period to combine the colouring of theVenetian schoolin which he was trained with the monumental forms of the Roman school. He belongs both to the painting school of his native city, Venice, where he made significant contributions before he left for Rome in 1511, and that of Rome, where he stayed for the rest of his life, and whose style he thoroughly adopted.

BornSebastiano Luciani, after coming to Rome he became known asSebastiano VenezianoorViniziano("Sebastian the Venetian"), until in 1531 he became theKeeper of the Seal to the Papacy, and so got the nicknamedel Piombo("of theLead") thereafter, from his new job title ofpiombatore.Friends like Michelangelo andAriostocalled himFra Bastiano("Brother Bastian").

Never a very disciplined or productive painter, his artistic productivity fell still further after becomingpiombatore, which committed him to attend on the pope most days, to travel with him and to take holy orders as afriar, despite having a wife and two children.He now painted mostly portraits, and relatively few works of his survive compared to his great contemporaries in Rome. This limited his involvement with theManneriststyle of his later years.

Having achieved success as alutenistinVenicewhen young, he turned to painting and trained withGiovanni BelliniandGiorgione. When he first went to Rome he worked alongsideRaphaeland then became one of the few painters to get on well withMichelangelo, who tried to promote his career by encouraging him to compete for commissions against Raphael. He painted portraits and religious subjects in oils, and once he was established avoided the largefrescoschemes that took up so much of the time of Raphael and Michelangelo. His earlier career in both Venice and Rome was somewhat overshadowed by the presence of clearly greater painters in the same city, but after the death of Raphael in 1520 he became Rome's leading painter. His influence on other artists was limited by his lack of prominent pupils, and relatively little dissemination of his works inprintcopies.