In art history, literature and cultural studies, orientalism is the imitation or depiction of aspects of the Eastern world by writers, designers, and artists from the Western world. Orientalist painting, particularly of the Middle East, was one of the many specialties of 19th-century academic art, and Western literature was influenced by a similar interest in Oriental themes.
Since the publication of Edward Said's Orientalism in 1978, much academic discourse has begun to use the term 'Orientalism' to refer to a general patronizing Western attitude towards Middle Eastern, Asian, and North African societies. In Said's analysis, the West essentializes these societies as static and undeveloped—thereby fabricating a view of Oriental culture that can be studied, depicted, and reproduced in the service of imperial power. Implicit in this fabrication, writes Said, is the idea that Western society is developed, rational, flexible, and superior. This allows Western imagination to see 'Eastern' cultures and people as both alluring and a threat to Western civilization.
Beginnings of Orientalism roots to the 15th century. From 1463 to 1479 Venice was at war with the Ottoman Empire, ruled by Sultan Mehmet II. Venice was defeated in several regions and subsequently forced to pay indemnities to continue trading on the Black Sea. In 1479, the Venetian government sentGentile Bellini, the official court painter for the Doge of Venice, as a cultural ambassador to work for the Sultan. Bellini returned to Venice in 1481 but he continued to include Oriental motifs in his artwork and this can be seen inSt. Mark Preaching in Alexandria(1504-1507).